Catholic voting is more thrilling than expected in Edward Berger’s papal picture, Conclave.

A shotgun wedding to the son of a Russian oligarch goes (unsurprisingly) poorly in Sean Baker’s Palme d’Or winner Anora.

Australian hybrid filmmaker Gabrielle Brady blends documentary and fiction with The Wolves Always Come At Night, a piece of work that should speak to anyone with any semblance of a soul.

Demi Moore takes The Substance and learns a valuable lesson about seeking external validation in Coralie Fargeat's masterful sophomore feature.

With Speak No Evil, an adaptation of a barely 2-year-old Danish horror film, Blumhouse proves that the next great American remake is still around the corner.